IMMIGRANT CULTURAL IDENTITY REPRESENTATION IN JUST GET MARRIED FILM PROMOTION BOOKLET

Ahmad Jum'a Khatib Nur Ali
Universitas Gunadarma
Indonesia

Abstract

Germany is well known for its welfare and multiculturalism. Just Get Married was produced to capture one’s perspective of immigrant life in Germany. This research aims is to identify the cultural identity representation of immigrants in the booklet of "Just Get Married". This research employs qualitative research and uses promotion booklet as the primary source of data. Hall's representation theory is used as tool of analysis toward the written and visual text structure. The results of this study found that the representation of immigration status in film promotion can be viewed from both civil (political) and cultural perspectives. The analysis result shows how the two sides are intertwined. In Germany, immigrants with non-European cultural descent find it more difficult to obtain nationality or naturalization.

Keywords
Just Get Married Film; Cultural Identity; Immigrant Identity; Promotion Booklet; Stuart Hall Representation Theory; Semiotic
References

Ajeyalemi, O. F., & Dixon-Ogbechie, B. N. (2020). A review of the use of aaker’s methodology within the brand personality construct: a review of extant literature. TIJAB: The International Journal of Applied Business, 4(1), 35–51. https://doi.org/10.20473/tijab.V4.I1.2020.35-51

Ali, A. J. K. N. (2018). Metodologi penelitian sastra. Gunadarma.

Barthes, R. (1977). Elements of semiology (A. Lavers & C. Smith (trans.)). Hill and Wang.

Barthes, R. (2016). Elemen-elemen semiologi (A. Hartono (ed.); K. Nazarudin (trans.)). Jalasutra.

Fougere, M. (2008). Adaptation and identity. In h. Spencer (ed.), culturally speaking: culture, communication, and politeness theory (2nd ed.). Continuum International Publishing Group.

Gomez, L. (2015). Culutral identity in claudia llosa’s the milk of sorrow. De Gruyter, 11(1), 65–78.

Hall, S. (1997). Cultural identity and diaspora. In Undoing Place? (1st ed., p. 12). Routledge.

Hall, S. (2003). The work of representation. In s. Hall (ed.), representation: cultural representation and signifying practices (8th ed.). Sage Publication.

Harahap, S. W. (2021). Sejarah dan kehidupan kaum imigran di jerman. Tagar.Id. https://www.tagar.id/sejarah-dan-kehidupan-kaum-imigran-di-jerman

Hutauruk, D. M. (2019). Jerman jadi negara tujuan imigran terbesar kedua di dunia. Kontan.Co.Id.

https://internasional.kontan.co.id/news/jerman-jadi-negara-tujuan-imigran-terbesar-kedua-di-dunia

Kristianto, B. (2009). Film mendadak dangdut (2006) pemahaman geografi budaya dan identitas. Wacana: jurnal ilmu pengetahuan budaya, 11(1), 107–128.

Kymlica, W. (2011). Kewargaan multikultural (B. F. Hardiman (trans.)). LP3ES.

Mashchenko, I. (2020). Cultural representation of national and cultural identity in sports and artistic activities (Ukraine, XXI century). Culture of Ukraine, 67.

Moser, Al., & Korstjens, I. (2017). Series: practical guidance to qualitative research. Part 1: Introduction. European Journal of General Practice, 23(1), 271–273. https://doi.org/10.1080/13814788.2017.1375093

Rizki, F. (2020). Imigrasi dan pertumbuhan ekonomi indonesia. Bhumipura, 28–29. http://majalah.imigrasi.go.id/2020/bhumipura04.pdf

Sere, S. A., Muarifuddin, & Amalia, F. (2020). The representation of african cultural identity in black panther film by ryan coogler. ELITE: Journal of English and Literature , 3 (1).

Stec, M. (2019). Identity and multimodality of cultural content in elt coursebook for yls. The European Proceedings of SOcial & Behavioural Sciences Vol 72, 274–288.

Wardah. (2012). Representasi identitas budaya makassar dalam pemberitaan situs panyingkul. com Periods 2006-2010. Kom & Realitas Sosial, 4(4).

Wirawan, M. K. (2021). Pertama kali dalam 1 dekade, populasi jerman tidak alami peningkatan. Kompas.Com. https://www.kompas.com/global/read/2021/01/12/202105370/pertama-kali-dalam-1-dekade-populasi-jerman-tidak-alami-peningkatan

Information
PDF
830 times PDF : 621 times