A SEMIOTIC ANALYSIS OF SHAKESPEARE’S “O MISTRESS MINE” USING RIFFATERRE’S SEMIOTIC THEORY

Desthia Amalia
Fakultas Sastra dan Budaya Universitas Gunadarma
Indonesia

Abstract

Analyzing literature works has been widely known as a complex spectrum because the words choice and  construction in any literature works can be done in free way. However, literature is known as a free instrument for people to express their feeling. The research discussed about a song entitled "O Mistress Mine" using Riffaterre's semiotic theory. The song is chosen as signifier from Shakespeare's play Twelfth night due to it represents lead character's situation for having unrequited love and a message for them to seize the day (carpe diem). O Mistress Mine might appear as a short song in the whole play but the meaning behind the lyrics convey the love line of the leads. Shakespeare's literature works has been known as a complex literature work because of his choice of words and words construction speak wihin his era. Meanwile in this era people might find out that grasping meaning from Shakespeare's literature works  is counted as complex work. Thus, the researcher chose Rifaterre's semiotic theory that includes three ways of analyzing the poem or song lyrics, in correlation to analyze further about figurative language and lead us to understand the meaning of the song. The research used qualitative method to find out symbols from the song and also using Riffaterre's semiotic theory. Purposive sampling is also used to pick the signs that have correlation with the message from Twelfth Night. The finding revealed there are three ways to analyze named displacing meaning, distorting meaning and creating meaning. Thus, there are 5 data used displacing meaning, 3 data used distorting meaning and 2 data used creating meaning. Furthermor, this research practically and theoritically can be used for the readers and students of English literature. this research practically and theoritically can be used for the readers and students of English literature.

Keywords
O Mistress Mine; Riffaterre; Semiotic; Shakespeare; Twelfth Night
References

Chandler, D. (2007). Semiotics. The Basic Second Edition. New York: Taylor & Francis.

Culpeper, J. (2009). Keynes: Words, Parts-of-Speech and Semantic Categories in the Character-Talk of Shakespeare's Romeo and Juliet. Journal of Corpus Linguistics, 14(1), 29–59.

Danesi, M. (2004). Messages, Signs, and Meanings. A Basic Textbook in Semiotics and Communication. Toronto: Canadian Scholars’ Press Inc.

Eco, U. (1986). Semiotics and Philosophy of Language. Bloomington: Indiana University Press.

Hadiyanto, H. (2018). "Denmark as Prison of Life" in Shakespeare's Hamlet (A semiotic Approach in Literature). Journal of Cultural, Literary and Linguistic Studies, 02(01), 57–68.

Hancock, B. (2009). An Introduction to Qualitative Research. Nottingham: NIHR RDS EM.

Lesmana, M. R. (2018). Love in The Beatles' Selected Song Lyric (Semiotic Analysis). Universitas Islam Negeri Maulana Malik Ibrahim.

Pauzan, A. A. (2018). A Semiotic Analysis of John Wick 1 Film Using Sanders Peirce's Semiotic Theory. Universitas Alauddin Makassar.

Riffaterre, M. (1978). Semiotics of Poetry. Bloomington & London: Indiana University Press.

Semi, A. (1988). Kritik Sastra. Bandung: Angkasa.

Siswantoro. (2010). Metode Penelitian Sastra Analisis Struktur Puisi. Yogyakarta: Pustaka Belajar.

Sobur, A. (2016). Semiotika Komunikasi, Bandung: PT Remaja Rosydakarya.

Sugiyono. (2014). Metode Penelitian. Pendidikan. Bandung: Alfabeta.

Information
PDF
937 times PDF : 1984 times